Why Studio Ghibli’s Music Holds its Appeal Decades Later

Since the release of its first film, Japanese animation studio Studio Ghibli has come to occupy a special place in modern pop culture. From wildly imaginative worlds to its distinctive hand-drawn art style and emotionally resonant characters, the studio’s films—many directed by co-founder Hayao Miyazaki—have earned lasting admiration from critics and audiences alike. Yet beyond the visuals and storytelling, another element quietly anchors their enduring power: the music.

A crucial piece of the puzzle is composer Joe Hisaishi, who has collaborated with Miyazaki for more than 30 years. Hisaishi has written scores for 11 of Studio Ghibli’s 22 films, including some of its most beloved works such as My Neighbour Totoro, Spirited Away, Princess Mononoke, and most recently The Boy and the Heron.

Whimsical, colourful, and full of wonder, Hisaishi’s music has been acknowledged by Miyazaki himself as a storytelling force that significantly contributed to the studio’s success. His compositions possess an uncanny ability to tug at the listener’s heartstrings, often expressing an inner emotional landscape. 

“The music does not need to match every character,” Hisaishi once explained to The New York Times. “Rather, it’s about emotion, something the character might be feeling.” This approach allows the notes to resonate in the audience’s memory long after the credits roll.

Part of the lasting appeal also lies in Hisaishi’s restraint. His melodies are often simple, piano-led, and designed to be memorable and human rather than overwhelming. Dubbed “the John Williams of Japan” by Pitchfork, Hisaishi has nonetheless described himself modestly: “I am a basic, simple composer. I only want to compose things I can easily play at home on my piano.” (Dazed).

Decades on, Hisaishi’s scores continue to be performed in concert halls around the world, introducing new audiences to Studio Ghibli’s magic. That will certainly be the case when selections of his pieces are performed by the WSO next Saturday, January 17, at 2:00 pm.

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Avi Bhatt (he/him) is the Communications Specialist for the Winnipeg Symphony Orchestra.